Celebrating Roger Corman’s 1961 masterpiece of Gothic dread
Though he has made hundreds of films spanning over six decades, producer/director and indie genre film pioneer Roger Corman’s 8-picture “Poe Cycle” continues to be among his most celebrated and discussed works.
The story goes that Corman, who was, by the end of the 1950’s becoming fledgling studio American International Pictures’ regular house producer/director, went to AIP bosses Sam Arkoff and Jim Nicholson and convinced them to take the budget they’d normally use for two black and white pictures and instead combine them to make a single full color movie. The studio initially balked but eventually relented and the first entry in that experiment was 1960’s HOUSE OF USHER, based on the classic Edgar Allan Poe tale, “The Fall of the House of Usher”.
The Gothic, lushly realized film, written by popular writer and novelist Richard Matheson (“I Am Legend”, “Hell House”, THE TWILIGHT ZONE), was a rousing critical and commercial success, a picture that bridged the gap between the drive-ins and teen-drenched “flat tops” that Corman and AIP catered to, and the arthouse, with a distinctly literate and moody European sheen that most exploitation films of the time simply didn’t have.
But as to which of the 8 remarkable Poe films is the superior entry, It’s subjective, Certainly, everyone has their favorite and latter works like the shot in England, Ingmar Bergman-influenced MASQUE OF THE RED DEATH and TOMB OF LIGEIA are the most sumptuously designed of the lot. But his HOUSE OF USHER follow-up, 1961’s THE PIT AND THE PENDULUM, is inarguably the scariest…