Well directed and acted thriller is hampered by a thoughtless script
Writer/Director Leigh (SAW, INSIDIOUS) Whannell’s THE INVISIBLE MAN is a frustrating film. Anchored by a truly fantastic lead performance by Elizabeth Moss, the movie looks great, moves with purpose, has a deft sound design and innovative and refreshingly minimalist special effects. The fact that there are so many great things going for it, makes its flaws all the more glaring, chief among them a shockingly thoughtless script that threatens to derail the entire otherwise opulent affair.
Moss stars as Cecilia, a woman whose millionaire inventor husband Adrian (Oliver Jackson-Cohen) has apparently kept her in a state of emotional and physical agony. Pushed too far by his abuse, she escapes, in a beautifully orchestrated opening sequence that relies on atmosphere, suspense, sound and of course, Moss’s ever-expressive face. With the aid of her sister, she seeks shelter with her friend James (Aldis Hodge), a single dad who lives alone with his teenage daughter. Living in terror that her maniacal ex will find her and finish her off, she spends her days a recluse until she finds out that the brute has apparently committed suicide and left her his fortune. As she slowly comes out of her shell, strange things begin to happen and soon, Cecilia comes to the conclusion that Adrian is not dead, but has instead perfected the science of invisibility and is now dedicated to making her life an even more special sort of Hell, one in which no one will ever truly believe her accusations of abuse.