Interview: Composer Claudio Gizzi

A conversation with the Italian composer on his scores for Paul Morrissey’s Flesh for Frankenstein and Blood for Dracula

In Paul Morrissey’s eccentric and utterly unhinged 1974 Italian horror classic BLOOD FOR DRACULA (often erroneously credited as the brainchild NYC art guru Andy Warhol under the name ANDY WARHOL’S DRACULA), the opening imagery of Dracula (played by iconic German weirdo Udo Kier) painting his face kabuki-white has always haunted me. The sequence is the spine and soul of the picture, showing the good Count as a tired, lonely showman who has long been forgotten by time and by the audience he once terrified.

And as eerily gorgeous as that bit of credit-crawling business is, it’s the delicate piano waltz playing in the background that truly sells it.

Continue reading “Interview: Composer Claudio Gizzi”