On LET THE CORPSES TAN

Stylish, sun-soaked Italian-inspired thriller is an anti-genre film

Let the Corpses Tan, the most recent – as of this writing – style overload immersion into Eurotrash fetish excess from husband and wife filmmaker team Bruno Forzani and Helene Cattet is, aesthetically, more of the same sort of stuff they’ve been supplying fans for almost a decade. If you’ve seen their breakthrough film Amer and its follow-up The Strange Color of Your Body’s Tears, you know what we mean. Taking the motifs and moments and rhythms and iconography from European genre films of the 1970s and literally remixing them with new narratives and subtext, Cattet and Forzani are at this point untouchable. It’s not fair to lump them in with other filmmakers who mine and mimic the same period – people like Quentin Tarantino or Rob Zombie – because this duo are artists doing something different, something far more abstract, more elemental and organic and avant garde. Their films are admirably dedicated to being so focused on valuing style over story that they often become a challenge to stick with, especially for the average viewer simply seeking a bit of escapism. But like their first films, if you do stick with Let the Corpses Tan, you probably won’t ever forget it.

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