A brief look at both cuts of the undervalued 1959 shocker
The mystery of the Victorian-era serial killer dubbed “Jack the Ripper” has endured the ages, with countless fictionalized novels and films riffing onthe sordid story of the fiend who once slashed his way through the flesh of London’s ladies of the night. The fact that “Saucy Jack” himself was never caught has only fueled the fantastical, with conspiracies ladled upon conspiracies as to who or what the murderer might have been, most potently in Alan Moore’s FROM HELL graphic novel and the freely adapted (and absolutely undervalued) Hughes Brothers feature film. But one of the more obscure remounts of the Jack the Ripper crimes can be found in Robert S. Baker and Monty Berman’s crackerjack 1959 chiller, simply called JACK THE RIPPER. Working from a script by Hammer Horror vet Jimmy Sangster, the film is a low budget but deft little murder mystery that sends ample chills up the spine, especially in its original UK theatrical cut, the likes of which is represented here – alongside the more sensational American re-edit – on Severin‘s snazzy new Blu-ray release.
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A look at one of Jess Franco’s most fascinating and personal movies
It’s gratifying the level of admiration that global cinema culture now has for Spanish sleaze architect Jesus “Jess” Franco. And while it’s a shame that more of that adoration and intellectual dissection of his work didn’t thrive more prominently when he was among the living, it’s still wonderful that so many learned, passionate writers, thinkers and daring dark film lovers spend so much time talking about him. And so they should. In the annals of film history, I cannot think of a more fascinating figure than Franco, not just because of the sheer volume of movies he made (over 200 that we know of) but because he was so driven and dictated by his obsessive need to make them. Here was a man who truly lived to make pictures, in some ways because he made pictures to live.
Continue reading “On THE SADIST OF NOTRE DAME” →
Discussing Alfred Sole’s 1976 American giallo masterpiece
I’ve been writing about and discussing co-writer/director Alfred Sole’s dark, effectively upsetting 1976 psychodrama Alice Sweet Alice for some time now. I first learned of the film when sifting through an early ’80’s edition of FANGORIA magazine, wherein there was a small, black and white still from the film of what looked like a charred human head.
It looked real. At least to me.
And I needed to know what this film was.
Leonard Maltin’s video book, a once indispensable pre-internet reference tool for young, burgeoning cinephiles, gave it a shrug review and two pithy stars. But then again, the book did the same for Taxi Driver, so that did not deter me.
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