On MANDY

Acclaimed hallucinatory horror drama is now on Blu-ray

There’s a primal, animal power that propels director Panos Cosmatos’s acclaimed experimental horror head-trip MANDY. A kind of danger pulsing beneath its arcane imagery, bubbling-forth from its moaning electronic music and arch, hissing dialogue. The film just feels alien. It feels evil.  It courses with a sort of seething darkness and descends into such brain-swelling madness that you can almost smell it.

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On TATTOO

A look back on the controversial and lurid erotic psycho-thriller

While re-watching Quentin Tarantino’s magnum 65mm, locked-door mystery/giallo/western/morality tale THE HATEFUL EIGHT, I was once more struck by how damn good actor Bruce Dern is in that film. It’s a deceivingly simple performance, mainly because the then 78-year-old performer never leaves the chair in which he sits, from the first time we see him to the point in which he loses his miserable life at the barrel of Sam Jackson’s vengeful Smith & Wesson. But it’s perhaps the most layered turn in the picture; subtle and oddly dignified despite the fact that his character is a coward hiding behind racist, patriotic bravado and by the end, even somewhat sympathetic.

But that’s Dern. He’s one of Hollywood’s finest character actors and an artist who rarely gets the credit he’s due. Not a traditionally “good looking” man, Dern has his own thing going on; a pointed look, almost rat-like, and when he opts to play an unsavory character (as in H8, HBO’s BIG LOVE, THE COWBOYS et al) he is a fiend without peer. And when he’s given the task to actually carry a film himself, the results are startling.

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