Why Rusty Cundieff’s 1995 social horror anthology is a must see
When one is critiquing a film, the thinking is that objectivity is key. A proper review must not reflect the writer’s personal tastes but must evenly judge if the film is successful at its chosen level and respond accordingly. Well, f**k that. If you eat, sleep and breathe cinema, if you love it so much that it keeps you awake at night, if it makes your pulse pound faster and in many respects informs your view of the world, then objectivity is impossible. In fact, I think the very concept of a piece of film writing being removed from one’s life experiences and leanings is an abstract one, even on an academic level. Art provokes response and every single human being who views that art will respond differently. That’s the beauty of art.
So with that verbose preamble, I’ll say right here, right now that I am crazymadinsane in love with Rusty Cundieff’s savage, smart and socially potent 1995 omnibus Tales from the Hood beyond all reason. Many say Scream saved and redeemed horror in the ’90s. I hate Scream, that self-aware, sneering, smart-ass sitcom thing. And if the studio that released it had been savvier with their marketing campaign, they’d be saying that about Tales. It should have been “the one” that spawned the franchise, that kick-started the trends and Clarence Williams III‘s wild-eyed hell spawn mortician with his Satanic Don King hairdo should have been the guy people were dressing up as for Halloween.
But it was just too black. I mean, look at Scream, with its gaggle of pretty, porcelain white faces staring smugly at the pundits on that copied-to-death poster. A far easier sell to America than the ebony skull with the glowing gold tooth that grinned at you on the awesome Tales one-sheet. Savoy Pictures saddled the movie with a marketing campaign and tagline (“Chill…or be chilled…”) that positioned the picture as a spoof, like a Wayans Brothers skewering of HBO’s then-popular, campy series Tales from the Crypt. Ironically, those Wayans lads would find great success lampooning Scream a few years later.